Recent Exhibitions:
Press:
"there’s an amiable lack of the ordinary infusing the work, its overall serenity making for great associative conversations, from the aforementioned microscopic creatures to cartoon landscapes and the monsters of Japanese animator Hayao Miyazaki."
--Dave Barton, OC Weekly, Feb. 14, 2019
"The act of painting is his instinctive response to the world around him. His affinity for the medium and a refined intuition for palette, and the relationships between colors, is part of his virtual DNA. Born in California, the artist began painting as a young boy, dipping into the paints of his father, a house painter. Fittingly, he refers to painting as his native language. Bemiller’s work - characterized by the dynamic interplay of vivid color in innovative combinations – exemplifies a deep curiosity, even passion, for the limitless possibilities and nuances of color, line and shape. His deep interest in color sequences and color transitions is evidenced by the facility with which he renders subtle gradations of shades and tints in a manner that is paradoxically both logical and refreshingly unpredictable."
--Megan Abrahams, Whitehot Magazine, Apr. 2016
"there’s an amiable lack of the ordinary infusing the work, its overall serenity making for great associative conversations, from the aforementioned microscopic creatures to cartoon landscapes and the monsters of Japanese animator Hayao Miyazaki."
--Dave Barton, OC Weekly, Feb. 14, 2019
"The act of painting is his instinctive response to the world around him. His affinity for the medium and a refined intuition for palette, and the relationships between colors, is part of his virtual DNA. Born in California, the artist began painting as a young boy, dipping into the paints of his father, a house painter. Fittingly, he refers to painting as his native language. Bemiller’s work - characterized by the dynamic interplay of vivid color in innovative combinations – exemplifies a deep curiosity, even passion, for the limitless possibilities and nuances of color, line and shape. His deep interest in color sequences and color transitions is evidenced by the facility with which he renders subtle gradations of shades and tints in a manner that is paradoxically both logical and refreshingly unpredictable."
--Megan Abrahams, Whitehot Magazine, Apr. 2016